Osmantikos / Battlescard / Absolut — Death Trap From Hell CD

Band: Osmantikos, Battlescard, Absolut
Title: Osmantikos / Battlescard / Absolut — Death Trap From Hell
Label: Black Konflik Records, Bullwhip Records, Exit Music, War Cloud Records
Format: Split Album, CD, Jewel Case, 3-Way Split
Country: Malaysia, Japan, Canada
Release Date: 2015
Genre / Style: Crust Punk, D-Beat, Hardcore Punk, Crossover, Metal/Punk
Streaming Link: Osmantikos / Battlescard / Absolut 

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Death Trap From Hell is a 2015 international hardcore punk split CD featuring three bands from different corners of the globe: Osmantikos (Malaysia), Absolut (Canada), and Battlescard (Japan). Released through a collaboration of labels—Black Konflik Records, Bullwhip Records, Exit Music, and War Cloud Records—this compilation delivers a diverse yet cohesive collection of aggressive punk subgenres.

Osmantikos
Representing Malaysia, Osmantikos contributes five tracks of "hypertension crustcore," a term they've coined to describe their intense blend of crust punk and hardcore. Songs like "A Stone Grave" and "The Reckoning" showcase their raw energy and socio-political themes, characterized by relentless drumming, distorted guitars, and impassioned vocals.

Absolut
Hailing from Canada, Absolut delivers five tracks of d-beat mayhem, staying true to the genre's roots with pounding rhythms and gritty vocals. Their contributions, including "Fucking Pain" and "Martyr Fuck Off," are a testament to their commitment to the classic d-beat sound.

Battlescard
From Japan, Battlescard infuses their hardcore punk with a "rock 'n' roll motorcharged" flair, reminiscent of bands like Motörhead. Their five tracks, such as "Zeke" and "Noisy Bastards," bring a high-octane energy that complements the split's overall intensity.

Death Trap From Hell stands as a compelling snapshot of the global hardcore punk scene, uniting distinct styles under a shared ethos of raw expression and DIY spirit. For fans of crust, d-beat, and hardcore punk, this split offers a diverse yet unified listening experience.